by Best Poem
The amber softness and
The figural logic
Of the wild autumn grass,
Sway gently in the night wind,
Divesting conviction and emotion,
Leaving a yearning for the imponderable.
Its bewitching long aureate wings
Reify symbols, concepts, philosophies,
Challenging in their audacity
Even the dusty gold of the moon
That spreads its gilded icons
In a bewildered expanse of eidolon.
Mukesh Williams has been published in Indian, Canadian, Caribbean, and American journals such as Indian Verse, The Journal of Indian Writing in English, Muse India, Centrifugal Eye, The Blue Fog Journal of Poetry, Foliate Oak, Plankton, and Best Poem. His poetry possesses a startling mixture of Japanese minimalism and Foucaldian coups and carries with it an uncanny postmodernist signature. His works have been quoted in reputed journals around the world from The Journal of Commonwealth Literature to The Other Voices International Project, and listed in the World Poetry Directory of UNESCO 2008. Williams has published two books of poems, Nakasendo and Other Poems (2006) and Moving Spaces, Changing Places (2007); and is now working on a third book The Figural Moment. His latest co-authored book, Representing India: Literatures, Politics, and Identities (first published in January 2008 and reprinted in September 2008), has been favorably reviewed in many journals and newspapers. He teaches at Keio University-SFC and Soka University, Japan and can be contacted through his blog site.